Day Two

Leipzig again.  Thought that I would be more tired following what I assumed would be a hard slog in the car the day before, but see above (below?) about how easy a journey it was.  I probably didn’t need the rest day in the end, I could have very easily kept moving and been in Poland by now.  

Bit frustrated by consequence; being in Germany doesn’t really feel like I’ve got started yet, I’m still on familiar ground, communicating in a language I understand.  I even ran into someone I knew in the afternoon!  Pretty hilarious - a music contact with whom I’ve always been friendly in a peripheral kind of a way.  She and her husband are planning exactly the same sort of journey I’m on in a week or two as well only longer - they’ll be going into Scandinavia, which was the original plan for me, but I decided to shelve that for next year.  

There was practical stuff today, too.  A financial advisor who has been looking for my business rang and had a chat with me.  I did some singing.  Spoke to my wife.  Sent a couple of emails.  I could have been just around the corner from home.  I did visit the Thomaskirche though, where J.S. Bach and Felix Mendelssohn worked, and took a selfie or two by their statues.  I’ve sung a truckload of their work and would have told you that Bach was the be-all and end-all until quite recently (and it’s not as though I still don’t think he’s pretty awesome), so that was good to do.  I visited the Bach Museum later on too, which was good to tick off.  Looking at his family tree, it would seem that all his relatives going in both directions were called either Johann Christian or Johann Christoph, by the way - family reunions must have been really confusing.  

I’m going Poland tomorrow.  I’m visiting an old stomping ground first in Görlitz, which is right on the border of Poland and Germany.  I have been there many many times and it was the scene of many a misadventure so there’ll be a fair amount of nostalgia and regret there.  I didn’t actually mean to put it on the itinerary, but I decided on Leipzig as a stop-off into Poland instead of Berlin because I’ve been to Berlin so often, and to get to Wrocław from Leipzig you pretty much have to go through Görlitz.  

I worked for far too long for far too little in Görlitz, for a really pretty despicable director.  The friendships and relationships I had there were complicated too, and some of them didn’t end well.  There is a mixture of shame, regret and nostalgia about the place, but also satisfaction that my career has moved on from needing to be there.  But, me being me, that makes me sad, too.  I don’t always deal with letting go well.    

I didn’t mean to put it on the schedule, but maybe it’ll be a really important part of the trip - to show me what I was, what I don’t want to be, and that I’m moving on to something else.  A quick trip down memory lane, a coffee with a friend, and then onward.  We’ll see.   

Passionate madness

It's Passiontide in Holland, hurrah! And don't the Dutch just love their Passions. I managed to get myself signed up for a "tour" of Holland - a tour that involves me clocking up enough miles to get to Australia and back, but invariably leaves me sleeping in my own bed every night. This can be a mixed blessing, Holland is a small place - not small enough that crossing the entire country doesn't take awhile, but small enough that a company can just about get away with not providing transport or accommodation during an eighteen-concert season. This can become pretty tiring, particularly when the eighteen concerts are thinly spread over twenty-two days. I'm thirteen concerts in, and at the moment I'm in that fabulous state of being too tired to sleep. Wonderful.

Not that I'm not having fun, though. It's a fabulous piece of music and it's no wonder that some people devote their entire careers to performing Bach. I've been keen to learn the Evangelist role for some time now as well, so listening to it eighteen times is a pretty good way to get a feel for it! The thing is that as tired as I am, and as tired as the people around me are, you do end up zoning out quite a bit, and short of something memorable happening, one concert can blend into another to an extent.

But that's where we come to the fun part. You see, in an eighteen-concert run, memorable things DO happen, and being tired and zoned-out as you are, fits of giggles amongst the choir and orchestra are not unusual. It's that particularly awful sort of giggling though - the "I know I shouldn't, but that was REALLY funny, oh my God keep a straight face, bite the cheek, lip, fist, anything, hahaha snnngggrrrrkkk" sort of laughter that ends up sounding like you're having an aneurism. Like that completely insane moment in the headmaster's office with your mates and he's going mental at you and then you notice that his flies are undone and you lose it.

There have been several moments like that lately - they seem to have happened more often as we get closer to the end. I'm not sure whether it's because we're tired and a bit mad and so small things seem funnier, but over the past week there's been loads of them. Some of them are pretty simple - someone comes in early, someone's chair collapses, an instrumentalist drops something noisy at an inopportune moment - but two in particular stick in my memory.

Utrecht, 27th of March. Concert number 7. Sight-gag. Depending on the church, our soloists sometimes sit in the front row of the audience. In our rather generously-proportioned soprano's first aria, she walked on stage and turned around and I noticed that something had happened to her jacket. There were two symmetrical white stripes across the back of it, almost like the reflecting strips that a cyclist would wear. "That's weird", I thought - and then one after the other, they fell off and fluttered to the ground for all the world to see. They were the "Reserved for the soloists" signs from her seat. Gold. Hahahaha- snnngrrrrggk.

Hoogland, 29th of March. Concert number 9. Comedic timing verging on genius. For those of you who aren't familiar with what the Passions are, they're basically the story of the death of Jesus Christ set to music. The whole piece runs from the betrayal, arrest, trial by Pilate, angry mobs, crucifixion, death and aftermath. As you can imagine, the moment of His death is pretty significant - in a piece that was written with gravitas in mind, this is grativas times a thousand. He cries out in a loud voice, and then as some translations have it "gives up the ghost". It's sung and/or narrated by the Evangelist, and our Evangelist as got that bit down pat - he draws everyone in, pauses for dramatic effect, decrescendos dramatically, sings so quietly that you can barely hear him, and then stops. The whole world holds its breath for a few moments - everyone communes with their innermost being, confesses their sins, tries to remember what they had for breakfast that day, that sort of thing - and then the piece goes on. So as an audience-member, you'd think that would be a bad time to blow your nose, huh? Well - you'd be wrong. "Und vershied [and died]".... PARP!!!! Right on cue. One of those farty, raspberry nose-blows too, the sort of violent emission that only dainty old ladies seem to be capable of, from someone's granny in the front row. Don't think I've ever seen anyone up-staged by nasal congestion before! Fits. Of. Giggles.

Some of these anxious moments aren't always caused by others, though - sometimes they're caused by me. The St Matthew Passion makes me fart. Don't know why, it just does. It's probably because I haven't been eating very well for the past few weeks, but for some unknown and very inconvenient reason it seems to manifest most when we're on stage. And trying to keep my own badly-timed violent emissions down to a dull roar can be pretty difficult!

If you've got any of your own onstage bloopers that you think worth sharing, feel free to put them in the comments.